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With a recital for piano and saucepans, María Paz Santibáñez celebrated life – Muricas News

The Chilean pianist introduced collectively in a single live performance Debussy’s moonlight, Bartók’s nocturnal music, denunciation, Mapuche poetry, cacerolazos and a damaged pedal for Frenchman Maurice Ohana.Photograph Luis Salinas / Arcos-Alcaraz Archive

On September 24, 1987, the primary headline of a Chilean newspaper broke the information: Carabinero shot a college scholar at shut vary. It was María Paz Santibáñez, a famend pianist who, precisely 35 years later, gave a recital final Saturday on the Nationwide Middle for the Arts (Cenart).

In entrance of two grand pianos within the Blas Galindo auditorium and a few pans ready their flip, he raised his fist and intoned: The oppressive State is a male rapist. The moonlights of Debussy, the nocturnal music of Bartók, the denunciations, the indigenous Mapuche poetry, the sound of the cacerolazo and a damaged pedal for Maurice Ohana all match right into a single live performance.

I stay essentially on hope and beliefhe said in an interview a few days earlier than his presentation on the Black and White Worldwide Piano Pageant. On the identical time, one has to have a look at the place it comes from. Once I converse of reminiscence, I don’t solely converse of historical past, however of expertise.

In his suitcase he introduced his saucepans and wood ladles, as seen within the photograph he posted on Fb from the airport, the place he arrived from Paris at 4 within the morning, a couple of hours after a powerful tremor within the metropolis. She was already ready for a grasp class with college students. She additionally received some blue Mexican pots that she acquired as a present.

Immediately I have fun life. I carry in my coronary heart those that didn’t survive, and I dedicate the live performance that I supply in Mexico, right now on this special occasion. Thirty-five years after being getting ready to becoming a member of the listing of these assassinated by the Pinochet dictatorship, I persist in making a tradition of life and hopehe wrote in his official accounts.

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That’s why he got here to his live performance with gigantic emotion. One way or the other this present day I’ll play with a distinct ardour and hope, for myself and for many who will not be. It’s not about carrying reminiscence as a weight, however as a remodeling vitality for a greater future.

lifetime of fixed battle

His life has been music and perseverance for social struggles. In recent times, after the good protest motion in 2019 in Chile, the undertaking started Impression Suite, residing creation to which completely different composers add works written for piano and pans. included within the live performance The rapist is… you’re… you had been… and 4 different extracts. It’s a musical and multidisciplinary undertaking for the creation of works born of resistance, out of respect for the dignity of individuals and human rights”, he explains.

“I believe that that revolt that befell in Chile in October, 30 years after that peaceable folks hoped that one way or the other that ultraliberal system would give them again a few of their misplaced dignity, folks stated: ‘sufficient is sufficient.’ He went out to exhibit with all his may and the repression was actually brutal. That second was key ”, he recounted within the discuss with this newspaper.

I met with a filmmaker and a author; we held an occasion on the Chatelet theater in Paris to help the Chilean trigger from an inventive standpoint. The undertaking feminine resistance crystallized after it’s multidisciplinary, it invitations avenue searches. However the entrance line is just not going to be anybody at an indication or tear fuel. They’re ladies dancing or those that shield the wounded, an inventive picture and the performative halfbecause the Mexican public might see, additionally with the pans on the piano strings, generally scratching or rubbing, hitting the cooking instrument, of assorted sizes and colours.

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Ohana and her lecturers, the ocean, the wind…

The night time of the seventh live performance of the Black and White Pageant started with two preludes by the French composer Claude Debussy (1862-1918), with whom it additionally ended, to point out an innovator in writing. From the Hungarian Béla Bartók he interpreted an instance of a renewed impulse to compose piano works, it’s stated, after seeing Igor Stravinsky play. And María Paz Santibáñez additionally introduced the Frenchman Maurice Ohana, whose biggest classes weren’t acquired from musicians, however from the ocean, the wind, the rain, the timber and the sunshine, as Juan Arturo Brennan defined within the hand program.

On this regard, the pianist mentions: “There are individuals who stated that they ended up with their hair standing on finish after the affect suite. That’s why later I play some works by Debussy, which name for one thing peaceable, reminiscence, liquidity and motion. It’s a manner of claiming: ‘effectively, that is the place we’re and we’ve got to proceed’”.

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